Monday, November 23, 2009

The Eleanor Palmer Evening and Social

Thursday 26th November at 7.00pm: Eleanor Palmer Competition and Social Evening.
The late Eleanor Palmer was a long-standing member and prolific artist. While President of SASA, she presented a cup to the Society to be awarded annually to a member whose work was voted the best at an annual event at the Athenaeum. This competition is great fun and this wonderful social evening marks the end of the SASA year.

This is the first time we are combining our end of year social event with the Eleanor Palmer competition and the turnout should be great.  

So, all you SASA members out there, bring in your artwork (anything except class work or work overseen by a teacher), and enjoy the evening with us.  


Members and non-members are welcome, but remember, only members can vote on the night.

See you there!

Wednesday, November 18, 2009

Original Painting By SA Artist Pieter Le Roux 1957



This painting was painted by a South African Artist, Pieter le Roux. Boabab Tree, painted in 1957. The owner is thinking of selling it and would like to know what its estimated value is. Does anyone out there have any idea?

You can leave a comment which will be picked up by us or email Ivan Myburgh at mailto:ivanmyburgh36@gmail.com

Saturday, November 14, 2009

Another French Letter from Fula


The weather is getting colder by the minute.  But the sun shines and not much rain.  I love the winter fashions here, anything goes, colours, styles, black tights worn with short skirts or short shorts.  I brought the black tights, pity I forgot the shorts.  Eish!
I discovered BHV, a massive dept. store with the most incredible art dept.  Forget Pearl paint in China Town New York .  I went to the basement to buy batteries,  the biggest hardware and tool dept I have ever seen  an amazing selection of tools for any and everything.  Batteries , dozens of them, all shapes and sizes and long queues of shoppers at every pay point.  On Sat a.m  I was walking to the Pompidou Centre and passed a morning market on a square next to one of the many ornate buildings in the area.  There were rose petals all over the ground, the name of the building had  Mairie in it,  a group of smartly dressed people were standing around, some with boutonierres.  It didn't take me long to figure out there must be a wedding happening.  BUT could not spot the bride.  Then a group gathered on the steps for a picture, 3 nice looking young men and a large elderly woman.  Then the 2 guys in the middle had a big smooch.  Quel surprise, legal in Catholic France? 
On my way again I passed the BHV pet supplies store.  What a treat pour moi.  Lots of dogs with their owners.  Sweet playful puppies getting their leashes tangled up,  older dogs looking bored especially one which was being fitted by his very serious owner for a raincoat.  And another fluffy dog whose owner and an exasperated assistant were trying out gprgepud harnesses that would not tangle his hair.  I could just imagine Sparky in that situation, giving me his sidesways dirty look, grumbling and growling.  The racks of clothes were seriously high fashion, couturier quality  _ embroidered, zipped, jewelled, in an amazing variety of fabrics, even camouflage prints,  (No Angie, I will not buy one for u know who!)  in all shapes and styles, even jackets with hoods bordered with fur! nogal!  The variety of toys and accoutrements was just as amazing.  

On my way back from the Pompidou, I went into one of the many huge  churches.  Just in time to hear the wonderful choir, sounding like angels,  so I sat and listened.   I sat near the middle and 2 girls aged about 10ish came in, and sat on the edge of a platform right in front of me.  They quickly whipped out 2 packs of cards and with a dexterity gained from long practice, shuffled, dealt and started their game.  They saw me watching them, smiled, and I smiled back, they were very cute.  !   Mon Dieu!  In a church, during a service!  I felt that I should move away in case a lightning bolt struck them!.

Paris is sure full of surprises.  Just about everyone speaks French, a leetle, and is quite friendly except for the men who work in reception at the Cite, the miserable sods.  I am managing to communicate. With lots of si’l vous plaits and mercies and smiley, smiley and occasional flash backs to what I learned at the Alliance Francaise, (Vocabulary 5 out of 10, grammar 0)  Hopefully I will improve.
A bientot
Fula



Thursday, November 12, 2009

Two new items for the weekend starting Friday

MEET THE ARTIST - FRANCES GOODMAN
Goodman Gallery Cape
3rd Floor Fairweather House
176 Sir Lowry Road, Woodstock
Friday 13th November at 11:00
Members and Non-Members R20
Historically seen as criminal, or sinful, the idea of dependency as an illness is a recent one.  Frances Goodman’s exhibition Morbid Appetites takes its name from an antiquated term for addictions.  In keeping with her long-running interest in obsessions, this exhibition is an objective study in sound, text and sculpture of what happens to the human condition when a psychological line is crossed.  On their most basic level, Goodman’s pieces are a detailed examination of how contemporary society is able to transform harmless activities like eating, shopping and taking medicine into deadly vices.  More critically, her works
comment on the economic and cultural conditions that accelerate this perversion.




WALKABOUT OF SUBTLE THRESHOLDS
BY FRITHA LANGERMAN
Iziko South African Museum
Saturday 14th November at 15:00
Members R40, Non-Members R60, Students R20
Subtle Thresholds is primarily concerned with the visual representation of infectious disease, focusing particularly on its position as ‘different’, ‘outside’ and ‘other’, and noting that classifications and representations of disease are culturally as well as medically coded.  Combing elements of science, art and social history, Langerman presents a collaboration between disciplines that is rarely seen in South Africa.  She embraces a range of media:  using projection, sculptural and drawn elements, text and digital images as well as objects from museum collections.  Because Subtle Thresholds is concerned with the means through which images are seen (or not) and understood (or misunderstood), the exhibition makes use of devices that heighten vision: scopes, light, shadow and projections.
Subtle Thresholds manages to show potentially fearful items as objects of interest and beauty.  “Infectious diseases are caused by organisms which are as deserving of visual attention as any other species. The exhibition suggests that within an extremely complex biological system, humans represent a very small unit,” says Langerman.  She teaches printmaking and drawing at UCT and has curated and exhibited nationally and internationally.


Lizzie O'Hanlon
Secretary/Treasurer
Friends of the S A National Gallery
P O Box 2420
Cape Town
8000
Tel No:  021 467 4662
Fax No: 021 467 4680
Email:   sangfriends@iziko.org.za
http://www.iziko.or.za

9th World Art Print Annual 2010 Exhibition

Linda received the following e mail.  This is an Art Exhibition for anyone interested ...............just follow the links.


Dear Friend of Art / Printmaker

Please visit our gallery on the web presenting this international art event
  http://www.lessedra.com/annual.php
 

 If you would like to be a part of the upcoming 9th World Art Print Annual 2010
with one year presentation on the web
3 months exhibition
and printed full colour catalogue

http://www.lessedra.com/catalogues.php
 

 then please have a look at the conditions for participation

http://www.lessedra.com/entry.php?d=conditions

and prepare your works in the next 3-4 months...Any comments, suggestions and questions are very welcome.

Yours Georgi
Lessedra.
www.lessedra.com


Please pass this message on to anyone you think will be interested.
Thank you very much!

Tuesday, November 10, 2009

The Good Shepherd Church Fund Raising

SASA's painter's outing this past month took place at the Good Shepherd Church below the Kirstenbosch Botanical Gardens.  The church is in poor condition and needs extensive renovations, which will require a considerable sum of money.

A few of the artists who completed their drawings and paintings donated these to the Church.  David Beatty, a SASA member, very kindly donated mounting boards.  Together David and Patricia Fraser mounted and framed paintings or covered the drawings in cellophane ready for auction.  These were then presented to Mr Andrew Wilson who is in charge of the fundraising. He was very pleased with the donation and plans to auction them to get the best possible prices.

Andrew would welcome further works, which may be donated or, as was done with one piece, the artist may prefer to donate a percentage of the sale price to the Church.

Anyone wishing to assist in this worthy cause is welcome to contact Andrew Wilson on 021 762-2464.




 Some of the art works from the outing.


From Fula in Paris ...

Fula Paxinos, one of our members and a Past President of the Society, is currently on sabbatical in Paris!  Enjoy her letter - there are others coming south from la belle France.

Dear Family and friends

So here I am on my much anticipated visit to Paris.  The flight was loooong and cramped but it was great spending time with my friend schoolfriend Joan at Heathrow.  When I went through security to board my flight for Paris, the security bells rang merrily.  The officer ran the paddle up and down my bod several times and then patted me from top to bottom and sideways.  Not satisfied, and despite me telling her that I have a new hip, she repeated the whole procedure with the paddles and then another massage, never mind patting me.  Not unpleasant, but I wonder what she does at her night job.  Then the security guy unpacked and searched my on-board luggage, quel embarrasment, and confiscated my little bortle of wine- the bliksem. 

Eventually Paris at last.

My studio is large and light and has an alcove for my bed and a minute kitchen and a bathroom and storeroom.   BUT,  no computer, no T.V. no sewing machine, no telephone, no fax machine, NO SPARKY   NO FRIENDS.  What was I thinking?  2 months!!!!!! 


Anyway,  on my first night  there was a concert in the theatre in the building.  The pianist was excelltent but the singer not.


The Cite has a theatre complete with stage in which the music residents can perform.
First day- The other South African (who speaks perfect French) and I braved the Metro,  my training in the subways of NY will come in handy.  The stations are big and airy, white tiled and decorated with posters,  display cases with replicas of museum pieces at Louvre Station, very surprising.  Especially the bigger stations which are like huge rabbit warrens, how on earth did they engineer such a system?  Chatelet is a large junction, never mind buskers, their was a 12 piece orchestra playing underground.  My destination was Cligniancourt,, a massive flea market which also featured beautiful antiques, art and the biggest and most specialized, antique and modern, haberdashery store I have ever seen.  No, I did not even buy a single button.  Hows that for self control?


Sat. night- Paris celebtated "Blanche Nuite" -  Sound and Light installations at many locations all over Paris.  I walked (a 10 minute walk) across the bridge to Notre Dame Cathedral to see the installation there.  Large groups of glowing crystals in each of the side chapels in the cathedral.  Stunning and quite unusual and so modern in such a splendid Gothic Church.  


One of the bridges to the island also had an installation of large square transparent boxes piled on top of each other changing colour and Tv screens screening strange light patterns to even stranger music.  And there was a full moon!


First Sunday of the month is free at the Louvre so I and every other tourist were there.Vast halls jam packed with paintings, and people. I had to hand my camera to a youngster who must have been at least 6'6" tall to take a picture of the Mona Lisa for me.  Many of the paintings were massive-  imagine a room full of 40 foot paintings.  (my feet- size 5, do the maths. No I did not have my tape measure with me) Although I marvelled at the talent of the artists I have to say that I eventually couldn't look at any more crucifictions, dying grey men, anguished women and  battle scenes.  It will take at least a week to see everything at the Louvre.


Had to get my hands on a computer but Mon Dieu!  the computer at the Cite does not have a qwerty kepboard. C'est impossible!


Alice, the 3rd S.A. artist has her grandson with her and he let me use his laptop. 
Next episode soon.


Lots of love
Fula